Thapp is a storyteller in the way she visualizes the human experience of feeling emotions. Through her use of soft color palettes and minimalist art, she captures how it feels to grow with the seasons. Her words are rich with comfort, yet sting with familarity. It is a book to sit by your bedside table and to go back to with each passing year in order to reassure of our everchanging experiences with our emotions.
Everything about this delightful little book is perfect. From the art, the colors, the world and the characters that inhabit it. From page 1, you are welcomed with big, open friendly arms. You feel so immersed in the story, you start to notice the slight scent of tea brewing. It is packed with messages, telling us to pursue our passions and take care of ourselves and others. Highly, highly recommend.
I once heard a tall tale about M. T. Anderson that I like to repeat. While he was writing Feed, his futuristic Young Adult novel in which the English language has evolved to the point of near unrecognizability, he read nothing but teen magazines. While writing the Octavian Nothing duology, set just before and during the Revolutionary war, he consumed no media that was created after 1800. If these incredible stories are true, I wonder how he conjured this incredibly deftly written graphic novel. Did he enslave a sea serpent? Fall in love with one of the Fae? Or did he just find a fairy tale that hit a vein of deep humanity, because Anderson tapped in on this one.
Stag-B and Rhino-B are best friends and live together in a giant mushroom. Open this book and come along as they find buried treasure, explore a glowing cave, go the library, and help each other through life's ups and downs. This is one of my favorite graphic novels for kids and adults alike!
This is a wonderfully shameless story that I wish was around when I was in school. Period.
The characters are relatable and diverse, the social situations are true to life, and the use of social media formats to share facts from women's history is clever and well done. Schneemann opens up an important discussion here, in many shades of red, and I can't wait to see how her characters will continue to inspire change.
I don't get to do as much walking as I would like, but when I do, I feel great. Walking feels like a revolutionary art these days. This short but wtunning book invokd so many feelings for me. I wish this was 300 pages long because I would read it.
You can feel the twelve years it took to create this intricate and ingenious contrivance of a comic, in which Chris Ware mines familiar themes of alienation, longing, and being a poorly socialized misfit that gets beaten up by jocks using an extraordinarily sophisticated comics syntax that rewards multiple rereadings.
Eleanor Davis is one of the greatest comics artists alive and her latest book is a heartfelt exploration of the fears and hopes of a new mother as she contemplates a society facing momentous change. It’s a book that anyone who loves great comics should have.
Fred Riley has a problem: her girlfriend, Laura Dean? Terrible. A beautiful, terrible flake. Also, she keeps breaking up with Fred. But Fred loves Laura Dean because Laura Dean, impossibly, chose her. Fred struggles to balance the hurtful, manipulative things Laura Dean does with the depth of her love, knowing she's stuck in a vicious cycle but feeling powerless to break free. How can she ever stop loving Laura Dean? Valero-O'Connell's gorgeous, sherbet-colored art and Mariko Tamaki's writing, always true to the complex emotions of her characters, combine to make a beautiful queer coming of age story.
Seattle-based cartoonist Simon Hanselmann’s Meg Mogg & Owl is as hilarious, moving, and as gleefully filthy as ever in this latest installment of the ultimate slacker soap opera. Bad Gateway further chronicles the squalid existences of a lovable cast of degenerates, who just happen to be a witch, a cat (dating the witch), a put-upon owl and a drug-dealing werewolf. Depravity abounds. I don’t know. Just try it.