If you ever thought to yourself, “Hm. Mean Girls, but an MFA program. And, oh! Make it horror! And yeah, a dash of an unreliable narrator sounds good. And why not? Throw in an outlandish plot so brilliantly over the top you literally have NO IDEA what's going to happen next”—then yes, this is the book for you. I loved every page of the delightfully unnerving story.
The stories in Friday Black are volatile, unpredictable concoctions. While reading them, I imagined author Nana Kwame Adeji-Brenyah as a mad scientist, mixing beakers with wild abandon: some societal critique here, a little gallows humor there, a dose of dystopian sci-fi just for kicks. The resulting stories feel just as likely to combust as they do to end. Adjei-Brenyah is among the most exciting new voices in fiction I've encountered all year, the heir apparent to Vonnegut and Saunders's tradition of dark, socially incisive postmodernism.