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“What a read this is, right from its startling opening scene. But even more than plot, it’s the richly layered details that drive home a lightning bolt of empathy. To read At the Edge of the Haight is to live inside the everyday terror and longings of a world that most of us manage not to see, even if we walk past it on sidewalks every day. At a time when more Americans than ever find themselves at the edge of homelessness, this book couldn’t be more timely.”—Barbara Kingsolver
Maddy Donaldo, homeless at twenty, has made a family of sorts in the dangerous spaces of San Francisco’s Golden Gate Park. She knows whom to trust, where to eat, when to move locations, and how to take care of her dog. It’s the only home she has. When she unwittingly witnesses the murder of a young homeless boy and is seen by the perpetrator, her relatively stable life is upended. Suddenly, everyone from the police to the dead boys’ parents want to talk to Maddy about what she saw. As adults pressure her to give up her secrets and reunite with her own family before she meets a similar fate, Maddy must decide whether she wants to stay lost or be found. Against the backdrop of a radically changing San Francisco, a city which embraces a booming tech economy while struggling to maintain its culture of tolerance, follows the lives of those who depend on makeshift homes and communities
Katherine Seligman is a journalist and author who lives in San Francisco. She has been a writer at the , a reporter at the and a correspondent at . Her work has appeared in , the anthology and elsewhere. Her debut novel, At the Edge of the Haight, is the 10th winner of the PEN / Bellwether Prize for Socially Engaged Fiction.
A graduate of Stanford University, Columbia University's Graduate School of Journalism, and Yale Law School, Heidi W. Durrow has received grants from the New York Foundation for the Arts, the American Scandinavian Foundation, and the Lois Roth Endowment and a Fellowship for Emerging Writers from the Jerome Foundation. Her writing has been published in Alaska Quarterly Review, the Literary Review, and others.
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