You can't go wrong with a Biz Markie blurb! I'll read anything he tells me to. Ed Piskor's Hip Hop Family Tree is a beautifully illustrated history that clearly tells the complex story of an organic movement's rise to prominence. Piskor's writing and illustrations really convey the energy and electric feel that must have surrounded early 80's New York hip hop culture. The book takes a wide view of what hip hop culture can mean, and provides history lessons on graffiti artists and record store owners, as well as DJ's and MC's. Come for the classic depictions of favorites like Fab Five Freddy, Melle Mel, and Grandmaster Flash, but stay for the well-researched, compelling history. — From James
This encyclopedic comics history of the formative years of hip hop captures the vivid personalities and magnetic performances of old-school pioneers and early stars like DJ Kool Herc, Grandmaster Flash and the Furious Five, plus the charismatic players behind the scenes like Russell Simmons; Debbie Harry, Keith Haring and other luminaries make cameos.
The lore of the early days of hip hop has become the stuff of myth, so what better way to document this fascinating, epic true story than in another great American mythological medium — the comic book? From exciting young talent and self-proclaimed hip hop nerd Ed Piskor, acclaimed for his hacker graphic novel Wizzywig, comes this explosively entertaining, encyclopedic history of the formative years of the music genre that changed global culture. Originally serialized on the hugely popular website Boing Boing, The Hip Hop Family Tree is now collected in a single volume cleverly presented and packaged in a style mimicking the Marvel comics of the same era. Piskor’s exuberant yet controlled cartooning takes you from the parks and rec rooms of the South Bronx to the night clubs, recording studios, and radio stations where the scene started to boom, capturing the flavor of late-1970s New York City in panels bursting with obsessively authentic detail. With a painstaking, vigorous and engaging Ken Burns meets- Stan Lee approach, the battles and rivalries, the technical innovations, the triumphs and failures are all thoroughly researched and lovingly depicted. plus the charismatic players behind the scenes like Russell Simmons, Sylvia Robinson and then-punker Rick Rubin. Piskor also traces graffiti master Fab 5 Freddy’s rise in the art world, and Debbie Harry, Keith Haring, The Clash, and other luminaries make cameos as the music and culture begin to penetrate downtown Manhattan and the mainstream at large. Like the acclaimed hip hop documentaries Style Wars and Scratch, The Hip Hop Family Tree is an exciting and essential cultural chronicle and a must for hip hop fans, pop-culture addicts, and anyone who wants to know how it went down back in the day.
About the Author
Ed Piskor (1982) lives and draws out of Pittsburgh, Pennsylvania. His New York Times Best-Selling series Hip Hop Family Tree, which was originally serialized on Boing Boing, has gone back to print numerous times, and won the 2015 Eisner Award for "Best Reality-Based Work." His series for Marvel, X-Men: Grand Design, was released in 2017 to wide acclaim.
Captures the personalities, imagery and milestones with a hilarity and efficiency that no other medium could.
When cartoonist Ed Piskor decided to unspool the labyrinth history of one of America’s greatest artistic accomplishments, he spared no effort to immerse his readers in the era of jump suits and scarred vinyl. Everything in Hip Hop Family Tree screams nostalgia: the Ben-Day dots, the sepia discoloration…even the print feels course and pulpy, like a priceless cultural artifact unearthed in a garage sale or your dad’s basement. Flipping through the oversized pages, you can almost hear the slap bass, horn swells, and ricocheting rhymes of hip-hop’s inaugural years.
— Sean Edgar
Action-packed, fun and funny.
An avid lover of hip-hop music and superhero comic books from a young age, Ed Piskor has combined his two passions to create a remarkable reading experience ... Hip Hop Family Tree imagines real-world events through the filter of 1980s Marvel Comics, bringing hip-hop visionaries to the page in a style that exaggerates their energy and style to capture the intensity of the music without having the beats.
One of the defining histories of hip hop… Ed created a portal into the beginning of hip hop, and just saying that a picture is worth a thousand words is a poor way of explaining why its impact is greater than that of a detailed book. — Daniel Genis
The amount of research and history Piskor packs into this book is mind boggling.
These stories are carefully researched and detailed along with great comic book style art...
An astonishing feat of cultural archaeology, in both ambition and
execution. The project somehow doesn’t seem quite real: a comic-book
history of hip-hop going back to the very beginning — the late 70s —
where lore is thick and documentation scarce. To tell this story in any
language would be a challenge; to tell it in the language of comics
feels like a magical summoning. — Lary Wallace
This is the comic of all time.
— Biz Markie
He’s not just doin’ a comic book, he’s doin' a piece of history. — Darryl “DMC” McDaniels
Ed Piskor is the sh#t!!
— De La Soul
Being in an Ed Piskor comic is cool enough to freeze hot water.
— Fab Five Freddy
A superhero-riffing, world-building, toe-tapping, beat-hitting story of a whole lot of people, some brilliant, some lucky, some crazy, and some all of the above. — Alex di Campi
These are dookie-gold-chain d-o-p-e. — Darcy MacDonald
Even if you are not a fan of hip hop or rap per se, one cannot deny its pervasive influence on the world at large. If nothing else, this first volume, covering the years 1975 through 1981, demonstrates the nonstop merging of style and culture that is part and particle of the American experience.
— Gregg Reese
Extraordinary effort. Even if you are not a hip-hop fan, you need to read this. — Jatin Varma
[A] rapid-fire telling of the early days of rap and hip hop culture… There’s a lot to learn even if you think you’ve heard it all. — Gene Ambaum