Something about the deadpan confidence of Haber's work has the power to convince me that imaginary paintings are real, conjured writers have walked the Earth, and the sky is purple and filled with green clouds. We're all gullible neophytes before Mark Haber's breathless novels. Saint Sebastian's Abyss is one of the first of its kind by an American writer, a sleek novel about Renaissance art, rivalry between friends and devotees, and the meaning of the obsessions that orbit our careers. There's not a single sentence in this book that isn't ecstatic.— From Spencer R.
“Quietly hilarious, this slim novel encapsulates the absurdity of academia and honors the impact art has on our lives. From compulsive phrases to the judicious reveal of what imploded a friendship, Haber has crafted a marvelous book.”
— Madeline Hausmann, BookPeople, Austin, TX
"What I wanted more than anything was to be standing beside Schmidt, in concert with Schmidt, at the foot of Saint Sebastian's Abyss along with Schmidt, hands cupped to the sides of our faces, debating art, transcendence, and the glory of the apocalypse."
Former best friends who built their careers writing about a single work of art meet after a decades-long falling-out. One of them, called to the other's deathbed for unknown reasons by a "relatively short" nine-page email, spends his flight to Berlin reflecting on Dutch Renaissance painter Count Hugo Beckenbauer and his masterpiece, Saint Sebastian's Abyss, the work that established both men as important art critics and also destroyed their relationship. A darkly comic meditation on art, obsession, and the enigmatic power of friendship, Saint Sebastian's Abyss stalks the museum halls of Europe, feverishly seeking salvation, annihilation, and the meaning of belief.