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Sarah Ruhl is a mother of three and one of America's best-known playwrights. She has written a stunningly original book of essays whose concerns range from the most minimal and personal subjects to the most encompassing matters of art and culture. The titles themselves speak to the volume's uniqueness: "On lice," "On sleeping in the theater," "On motherhood and stools (the furniture kind)," "Greek masks and Bell's palsy."
"100 Essays I Don't Have Time to Write "is a book in which chimpanzees, Chekhov, and child care are equally at home. A vibrant, provocative examination of the possibilities of the theater, it is also a map to a very particular artistic sensibility, and an unexpected guide for anyone who has chosen an artist's life.
About the Author
Sarah Ruhl's plays include In the Next Room, or the Vibrator Play (Pulitzer Prize finalist, Tony Award nominee), The Clean House (Pulitzer Prize finalist, winner of the Susan Smith Blackburn Prize); Passion Play, a cycle; Dead Man's Cell Phone (winner of the Helen Hayes Award); and, most recently, Stage Kiss and Dear Elizabeth. She has been the recipient of a MacArthur Fellowship, the Helen Merrill Emerging Playwrights Award, the Whiting Writers' Award, the PEN/Laura Pels International Foundation for Theater Award for a midcareer playwright. She is currently on the faculty of the Yale School of Drama and lives in Brooklyn with her family.
Praise for Sarah Ruhl
“Ruhl’s playwriting is inspired.” —John Lahr, TheNew Yorker