A NEW YORK TIMES NOTABLE BOOK -NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY MIAMI HERALD AND ONE OF THE BEST BOOKS OF THE YEAR BY San Francisco Chronicle NPR Men's Journal The Denver Post Slate The Kansas City Star Time Out New York-From the author of the critically beloved Pym ( Imagine Kurt Vonnegut having a beer with Ralph Ellison and Jules Verne. Vanity Fair) comes a ruthlessly comic and moving tale of a man discovering a lost daughter, confronting an elusive ghost, and stumbling onto the possibility of utopia. In the ghetto there is a mansion, and it is my father's house. Warren Duffy has returned to America for all the worst reasons: His marriage to a beautiful Welsh woman has come apart; his comics shop in Cardiff has failed; and his Irish American father has died, bequeathing to Warren his last possession, a roofless, half-renovated mansion in the heart of black Philadelphia. On his first night in his new home, Warren spies two figures outside in the grass. When he screws up the nerve to confront them, they disappear. The next day he encounters ghosts of a different kind: In the face of a teenage girl he meets at a comics convention he sees the mingled features of his white father and his black mother, both now dead. The girl, Tal, is his daughter, and she's been raised to think she's white. Spinning from these revelations, Warren sets off to remake his life with a reluctant daughter he's never known, in a haunted house with a history he knows too well. In their search for a new life, he and Tal struggle with ghosts, fall in with a utopian mixed-race cult, and ignite a riot on Loving Day, the unsung holiday for interracial lovers. A frequently hilarious, surprisingly moving story about blacks and whites, fathers and daughters, the living and the dead, Loving Day celebrates the wonders of opposites bound in love. Praise for Loving Day Incisive . . . razor-sharp . . .that rare melange: cerebral comedy with pathos. The vitality of our narrator deserves much of the credit for that. He has the neurotic bawdiness of Philip Roth's Alexander Portnoy; the keen, caustic eye of Bob Jones in Chester Himes's If He Hollers Let Him Go; the existential insight of Ellison's Invisible Man. The New York Times Book Review Exceptional . . . To say that Loving Day is a book about race is like saying Moby-Dick is a book about whales. . . . Mat Johnson s] unrelenting examination of blackness, whiteness and everything in between is handled with ruthless candor and riotous humor. . . . Even when the novel's family strife and racial politics are at peak intensity, Johnson's comic timing is impeccable. Los Angeles Times Johnson, at his best, is a powerful comic observer and] a gifted writer, always worth reading on the topics of race and privilege. Dwight Garner, The New York Times Hilarious and touching new novel about family, identity and what it means to truly love other people . . . The disasters make us who we are, and the results can sometimes be amazing as amazing as this beautiful, triumphant miracle of a book. NPR Giddy, biting . . . ferocious . . . Grand metaphors, unsparing social commentary, sharp characters, and sharper humor help propel the book. . . . A welcome effort from a major talent. The Boston Globe
About the Author
Mat Johnson is the author of the novels Pym, Drop, and Hunting in Harlem, the nonfiction novella The Great Negro Plot, and the comic books Incognegro and Dark Rain. He is a recipient of the United States Artist James Baldwin Fellowship, the Hurston/Wright Legacy Award, and the John Dos Passos Prize for Literature. He is a faculty member at the University of Houston Creative Writing Program.