This novel is both the stories of twelve women and a sweeping history of the Black British experience. With poetic prose, dazzling characters, and intricate details, it is impossible not to get lost in Evaristo's work.— From Kelly
Girl, Woman, Other earned the 2019 Booker Prize for a reason: this book is fantastic. Bernardine Evaristo put together an ensemble cast of British women and nonbinary people of color spanning generations, countries, and circumstance. As you read, you slowly come to understand how each of their lives are connected, whether the characters themselves are aware of it or not. In addition to the compelling stories, Evaristo turns the conventions and expectations of writing upside down. The lack of punctuation was tricky for me for the first few pages, but after I got used to it I found her queering of writing itself to be absolutely brilliant. Its complex storylines and writing make this an amazing book for discussion with friends - I highly recommend it for your book club.— From Maggie
"A must-read about modern Britain and womanhood . . . An impressive, fierce novel about the lives of black British families, their struggles, pains, laughter, longings and loves . . . Her style is passionate, razor-sharp, brimming with energy and humor. There is never a single moment of dullness in this book and the pace does not allow you to turn away from its momentum."--Booker Prize Judges
Bernardine Evaristo is the winner of the 2019 Booker Prize and the first black woman to receive this highest literary honor in the English language. Girl, Woman, Other is a magnificent portrayal of the intersections of identity and a moving and hopeful story of an interconnected group of Black British women that paints a vivid portrait of the state of contemporary Britain and looks back to the legacy of Britain's colonial history in Africa and the Caribbean.
The twelve central characters of this multi-voiced novel lead vastly different lives: Amma is a newly acclaimed playwright whose work often explores her Black lesbian identity; her old friend Shirley is a teacher, jaded after decades of work in London's funding-deprived schools; Carole, one of Shirley's former students, is a successful investment banker; Carole's mother Bummi works as a cleaner and worries about her daughter's lack of rootedness despite her obvious achievements. From a nonbinary social media influencer to a 93-year-old woman living on a farm in Northern England, these unforgettable characters also intersect in shared aspects of their identities, from age to race to sexuality to class.
Sparklingly witty and filled with emotion, centering voices we often see othered, and written in an innovative fast-moving form that borrows technique from poetry, Girl, Woman, Other is a polyphonic and richly textured social novel that shows a side of Britain we rarely see, one that reminds us of all that connects us to our neighbors, even in times when we are encouraged to be split apart.