I have experienced a lot of side-eyes glances and unwelcome critique for my love of the horror genre, the assumption being that my outlook and tastes must be base if not subterranean.Tell that to Carol J. Clover. Through thoughtful and academic lenses she looks at the slasher/horror genre as one with the potential to build empathy. This book reminds me that guilt and pleasure should never occupy the same space.
— From DeanFrom its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented--notably the slasher movie's "final girls"--as they endure fear and degradation before rising to save themselves. The lesson was not lost on the mainstream industry, which was soon turning out the formula in well-made thrillers.
Including a new preface by the author, this Princeton Classics edition is a definitive work that has found an avid readership from students of film theory to major Hollywood filmmakers.