Jonathon spirals downward on a snowy night in Seattle. Losing touch with reality, he dives off a bridge, a 20-foot fall which could have killed him. Surrounded by his “thicks” (best friends), Jonathon still teeters and may be giving up. The loss of his twin brother, Telly, is too much. About to flunk his Junior year from repeated absenses, Jonathon is offered a “deal” which could send him on to his Senior year. Jonathon is a brilliant poet and musician, and this “deal” will force him to tap all of his genius. Full of raw emotion, eloquent poetry, raging music and Seattle ambiance, Adios, Nirvana is a new release you won’t want to miss!— From Jane
When you piss off a bridge into a snowstorm, it feels like you're connecting with eternal things. Paying homage to something or someone. But who? The Druids? Walt Whitman? No, I pay homage to one person only, my brother, my twin.
In life. In death.
Since the death of his brother, Jonathan's been losing his grip on reality. Last year's Best Young Poet and gifted guitarist is now Taft High School's resident tortured artist, when he bothers to show up. He's on track to repeat eleventh grade, but his English teacher, his principal, and his crew of Thicks (who refuse to be seniors without him) won't sit back and let him fail.
A 2011 ALA Best Fiction for Young Adults Book
"Wesselhoeft offers a psychologically complex debut that will intrigue heavy-metal aficionados and drama junkies alike. Peopled with the elderly and infirm, crazy parents, caring educators, and poignant teens trying desperately to overcome death's pull, it mixes real and fictional musicians and historical events to create a moving picture of struggling adolescents and the adults who reach out with helping hands. Adios, Nirvana targets an audience of YAs who rarely see themselves in print."—Booklist
"Homage to poetry, music, friendship, and youth, this brash, hip story should attract its share of skater dudes and guitar jammers."—School Library Journal
"Jonathan's narration is all about style, moving between clipped, one-line sentences and heavily imagistic rhapsodies influenced by his heroes Charles Bukowski and Walt Whitman, soaring often into descriptions of his music and the atmospheric West Seattle milieu that colors his sensibilities and returning frequently to Homeric allusion."—The Bulletin
"A wonderful blend of contemporary, historical, and literary fiction. [Wesselhoeft's] use of figurative language makes each page dance with images of raw realism....This is a poignant piece for older teens."—VOYA