* Shortlisted for the 2011 Costa Book Award in the First Novel category *
"A blazingly original, wildly stylish, and pulpy debut novel"
""City of Bohane," the extraordinary first novel by the Irish writer Kevin Barry, is full of marvels. They are all literary marvels, of course: marvels of language, invention, surprise. Savage brutality is here, but so is laughter. And humanity. And the abiding ache of tragedy." Pete Hamill, "The New York Times Book Review "(front page)
Forty or so years in the future. The once-great city of Bohane on the west coast of Ireland is on its knees, infested by vice and split along tribal lines. There are the posh parts of town, but it is in the slums and backstreets of Smoketown, the tower blocks of the North Rises, and the eerie bogs of the Big Nothin' that the city really lives. For years it has all been under the control of Logan Hartnett, the dapper godfather of the Hartnett Fancy gang. But there's trouble in the air. They say Hartnett's old nemesis is back in town; his trusted henchmen are getting ambitious; and his missus wants him to give it all up and go straight.
Praise for City of Bohane: "City of Bohane, the extraordinary first novel by the Irish writer Kevin Barry, is full of marvels. They are all literary marvels, of course: marvels of language, invention, surprise. Savage brutality is here, but so is laughter. And humanity. And the abiding ache of tragedy." —Pete Hamill, The New York Times Book Review (front cover)"Barry's first novel is a grizzled piece of futuristic Irish noir with strong ties to the classic gang epics of Yore. . . . The genre stew--which incorporates a Machiavellian alcoholic mother, flag-waving street fights, and uncertain alliances--is imbued throughout with Barry's inventively vulgar language." —The New Yorker "As you prowl the streets of Bohane with Barry's motley assortment of thugs and criminal masterminds, you will find yourself drawn into their world and increasingly sympathetic to their assorted aims and dreams." —Boston Globe "City of Bohane offers a dystopian vision that is splendidly drawn if not shockingly inventive. . . . [Barry's] descriptions are notably vibrant (a December day is 'as miserable as hells scullery) and his syntax strikingly creative." —Cleveland Plain Dealer, Grade: A
"Kevin Barry is unique, a one-man school. His work is hilarious and unpredictable--and always brilliant." —Roddy Doyle