The best conversation I ever had with a stranger on the bus was about this book. It's based on the life of Valentino Achak Deng, one of the thousands of Lost Boys who escaped the Sudanese civil war. Upon arriving in the United States, Valentino faces a whole new set of problems as he tries his best to acclimate to a not always friendly new home. Originally released in 2006, it feels like a novel especially apt for our current times.— From J.P.
New York Times Notable Book
New York Times Bestseller
What Is the What is the epic novel based on the life of Valentino Achak Deng who, along with thousands of other children --the so-called Lost Boys--was forced to leave his village in Sudan at the age of seven and trek hundreds of miles by foot, pursued by militias, government bombers, and wild animals, crossing the deserts of three countries to find freedom. When he finally is resettled in the United States, he finds a life full of promise, but also heartache and myriad new challenges. Moving, suspenseful, and unexpectedly funny, What Is the What is an astonishing novel that illuminates the lives of millions through one extraordinary man.
“[An] Astonishing story … of immerse power, emotion and even, in the midst of horror, beauty.” —Salman Rushdie
“Told with humor, humanity, and bottomless compassion for his subject. . . . It is impossible to read this book and not be humbled, enlightened, transformed.” —Khaled Hosseini, author of The Kite Runner
“Lit by lightning flashes of humor, wisdom and charm. . . . An extraordinary work of witness, and of art.” —Francine Prose, The New York Times Book Review
“A moving, frightening, improbably beautiful book.” —Lev Grossman, Time
“A testament to the triumph of hope over experience, human resilience over tragedy and disaster.” —Michiko Kakutani, The New York Times
"An absolute classic. . . . Compelling, important, and vital to the understanding of the politics and emotional consequences of oppression." —Jonathan Durbin, People
“A sweet and sometimes very funny story of one boy’s coming of age. . . . Strange, beautiful and unforgettable.” —John Freeman, San Francisco Chronicle